How many different ways can you control the human body? There are countless. This scene is an exploration of some very twisted ways to do so.

Punishment sl*t gets put in a fiberglass box with a g*s mask connected to a bubbler as their only way to reach the outside world. The bubbling sounds become an audio backdrop to the ensuing intensity.

Front and center is Nopston, a mysterious latex clad figure who is secured to an unforgiving metal chair, covered in electrodes. Odette intubates him, making him extremely vulnerable to our whims. Now just a small tube sits between his lungs and the air outside. He must remain calm and measured in order to withstand all the t*rments about to come his way.

We play with electricity all over his body - through the giant plug in his *ss, the electrodes on his c*ck, and special suction electrodes on his nipples. His eyes get bigger and bigger as we play with the l*ttle tube that is his only access to breath.

Watching from nearby is Carta Monir, clad in a beautiful full body vintage leather brace. The brace holds her in place as she watches Nopston endure the t*rments that she might experience next. Her eyes get wider the more he s*ffers and she ponders her potential future.

Both Carta and Nopston are secured with hefty Clejuso handcuffs. Carta has a b*ll gag while Nopston's speech is taken by intubation.

Odette and I have a blast playing our subjects like instruments, eliciting sounds, making them twitch, and filling them with emotions ranging from envy to arousal to fear.

Finally, Odette and I take turns j*rking each other off with a vibrator while sitting on top of the box that is creating Punishment Sl*t's dark, lonely, private world. Our subjects, Nopston and Carta, can barely turn to look at us, but they can hear our screams of delight and perhaps react with submissive jealousy, wishing they could feel pleasure instead of p*in.

Spinal Brace Fetish Braces B*ndage Aspects of Control with C4s.com