Adele , an undercover investigator posing as a journalist, arrives for an exclusive interview with a powerful mob boss. She looks elegant and composed in her classic trenchcoat. As she enters the office, the boss’s enforcer steps forward.

Enforcer: “Let me take your coat. I’ll keep it safe in the wardrobe, miss.”

Adele thanks him politely and sits down, maintaining her professional façade.

The interview resumes. The camera records as Adele begins to push a l*ttle harder.

Adele: “Police claim they’ve found a new witness in the Zevon accountant case.
You knew the victim quite well, didn’t you?”

The Boss smiles—too calm, too confident.

Boss: “People love to talk. You know how it is.”

Adele senses the meaning beneath his smooth replies. She closes the interview with elegance and prepares to leave.

The moment she steps out of the office, the Boss leans toward his enforcer.

Boss (low voice): “That talk about the witness... handle it immediately.”

The enforcer nods. Then he hears footsteps—Adele is coming back, a l*ttle embarrassed.

Adele: “Sorry... I forgot my trenchcoat. I can be so absent-minded.”

He hands it to her. Adele leaves.

Once alone, she stops in the hallway and reaches into the coat—for the hidden microphone.
It recorded everything she needed.

A hand suddenly clamps over her mouth.

It’s the enforcer.

He whispers against her ear:

Enforcer: “Real reporters never forget anything.”

Adele is swiftly tied, wrists behind her back, then gagged with a strip of tape. She is pushed into a car, head down, fear and determination battling in her eyes.

They drive to an isolated house. Still tied hand and foot, Adele can only struggle and listen. The Boss drives, the enforcer sits beside her. She has no control anymore—her trick has been discovered, and she knows the consequences.

Inside the house, Adele is tied to a chair. She tries to speak —
“You won’t get away with thi — ”
—but a stuffed OTM gag silences her.

Left alone, Adele refuses to panic. She breathes, focuses, works the ropes. After long, painful effort, she manages to loosen one wrist rope. If she had ten more minutes, she could free herself—
but she doesn’t get them.

The enforcer returns.angry that she nearly escaped, then tightens his jaw.

In the next scene Adele is moved to the sofa, elbows bound more closely, ropes wrapped around her upper body, and a wraparound tape gag seals her mouth. He has run out of rope, so he leaves to fetch more.

Adele sees her chance—her final one.

She notices a phone, drags herself toward it, lifts the receiver, begins to dial—
it’s a decorative vintage phone. No line.

Frustration h*ts her, but she keeps moving. She slides off the sofa, crawls carefully toward the door. She can’t open it. She searches a drawer and finally sees something useful— scissors .

She tries to cut the ropes—

The enforcer enters again.

This time he laughs. He left her alone on purpose, just to watch her desperate attempts.

Now with the rest of the rope in hand, he finishes the job.

For the final scene Adele is now in a strict, unforgiving hogtie , ropes cinched tightly from wrists to ankles. She struggles as hard as she can, but there is no slack, no escape path left.

The enforcer leaves her on the floor, silent and helpless.

Adele can only hope her colleagues will find her before she joins the long list of missing people who once investigated the mob boss.

Dialogue in English

All productions (video & images) & associated b*ndage scenarios depicted are strictly of a role play and story driven nature and feature fully consenting participants and established safe signals (clearly defined within each fantasy scene) between model(s) and crew are in continual use throughout the production

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