Custom movie in Italian anguage

Scarlett is athletic, restless, and happiest outdoors. Hiking, trekking, open air with no walls and no rules. The only reason she shares a place in a sought-after residential neighborhood is the rent. Her roommate, Raimondo, could not be less like her. He produces b*ndage films and uses the apartment as a studio. Normally he clears the set before she gets home. Tonight she comes back early and finds him still gathering rope off the living-room floor.

She only wants to change and go to bed. She is also a l*ttle annoyed that he has not cleared the room. Secretly, though, she is curious. Still in her hiking clothes, bl*ck crop top, khaki cargo shorts, belt, and boots, she picks up a loose coil and starts knotting it while she asks a few pointed questions about his work.

Raimondo is happy to explain. He ties models. Sometimes he invents l*ttle stories. Sometimes he sets escape challenges and films the girl while she tries to get free.

Scarlett answers with a dare in her voice. Why would any girl agree to that? She holds up the thin white rope and doubts it could stop someone who really meant to escape.

He hears what sits under the provocation. Curiosity. Maybe a private wish. Maybe she wants to try it. He offers her a challenge, then sweetens it. If she escapes, he pays the whole rent next month. If she loses, she owes him more positions of his choosing, in outfits a l*ttle more exciting than her hiking gear.

She accepts.

In the next scene he starts tying her on camera with that same thin white rope. Several turns around the wrists pull surprisingly tight. Scarlett keeps her challenging look and does not show concern. She never asked how much rope he would use, and he has no intention of being sparing. He cinches the wrist rope to her waist, wraps her torso above and below her chest, and with another length binds her legs together above the knees.

Before the ankles, he decides to take off her boots and socks. She asks why. He hesitates, then says he wants her comfortable. She gives him a half-smile and calls him a p*rvert. When the socks come off he is surprised to find her toenails painted, an odd detail on a tomboy like Scarlett. She tells him he may not know her as well as he thinks. He finishes the ankle ties and brings out a roll of tape.

This time she is serious. She asks what he intends to do. When he says he is going to gag her, she is not pleased and tries to renegotiate the bet. He tells her the terms are already set and presses the tape over her mouth. She answers with an irritated mmmph.

He gives her five minutes and leaves her to struggle. Scarlett, sure she has been tricked, still tries. The ropes leave almost no play in her arms or legs. The knots are out of reach. The thin cord does not slide easily on skin. The muffled sounds start annoyed and grow more resigned. She has never felt this helpless, and she is already wondering how she will pay for losing.

Next she sits on the sofa, sulking. Raimondo hands her a short sexy dress and heeled sandals and tells her to change. A few moments later she is btransformed into an elegant, hot version of herself. He shows her the chair for the next position. She resigns herself and sits.

In the following scene she is tied tightly to the chair: wrists, arms, legs, and torso. She asks if she looks pretty, a flash of vanity she had not shown before. This time the gag is a sock stuffed in her mouth, held by cloth wrapped over it. He leaves her to struggle. She wants a rematch, wants to prove she can escape if she chooses. She has to admit she is bound even tighter than before and has no chance. Minutes of struggling follow.

When he returns she is still looking at him with a challenge in her eyes. He says that, as far as he is concerned, they can stop. If she wants a third position, though, he has sexy lingerie for her. Through the gag she makes it clear she wants to try it.

Next she is so taken with herself in bra, panties, stockings, and garter belt that she takes photos with her own phone. He tells her to get ready. A shadow of worry crosses her face. This position is the hardest yet. Her arms are held straight, wrists and elbows drawn together. When she sees the gag she understands where the real challenge is. The b*ll is huge. She starts to protest. He knows she is ready for this one too, and with a l*ttle effort the b*ll gag goes in.

She is left struggling on the living-room table. A strange excitement from the restraint starts to move through her. Finally he returns and puts her in a hogtie. She jolts when the hogtie is drawn tight, then settles into complete surrender. She is clearly made for this. After more minutes of struggling he is ready to offer her work as a proper model. Still gagged, Scarlett nods.

Geknebelt Aufgaben Tat Scarlett - Beyond The Challenge - MP4 - 2k (1920x1080) mit C4s.com