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Three women have applied for the casting of an intense, anxiety-inducing film. They must portray a stolen woman, and the director wants the performance to feel as realistic as possible. He is looking for a strong model who can handle the role. The casting process tests whether each candidate can:

Endure a very tight hogtie for an extended period

Avoid excessive drooling

Avoid excessive moaning

In this video we follow Bramble through her casting. The other two videos will be released soon. After the tests, the best model will be chosen for the film — though, of course, all of them will end up drooling and moaning heavily.

Before the hogtie begins, the director asks her to remove her coat or jacket.

Close-ups are highly desired throughout: the camera circling her, or cutting between angles that clearly show her feet, the ropes, her stressed and angry eyes, and her drooling mouth.

Using hemp rope, her wrists are bound together and her elbows are drawn tightly behind her. Several wraps around the elbows, breasts, and shoulders form a torso harness that pulls her shoulders back.

She quickly starts teasing the dominant with soft, sweet words, so he puts a b*ll gag into her mouth and inflates it as large as she can take. She moans while he pumps it, but the gag soon fills her throat and silences her c*mpletely.

Master Fiddler gently lays her down and ties her ankles together. He adds another rope just above her knees and one just below them. With a long white rope he circles her waist, passes it over her navel and between her legs, then up behind her back between her forearms (between the wrist and elbow bindings) to keep her hands from shifting. He continues the rope around her ankles, up around her neck, and back to the ankles, completing a severe hogtie. He arches her back as high as possible so that her knees and breasts are lifted clear of the floor.

He then removes the b*ll gag and replaces it with a harness gag. She looks angry as he does so, then surprised when he attaches a rope to the top of the harness. Realizing what is about to happen, she shakes her head in protest. He ties the harness to her feet anyway, pulling the rope as short as possible so her chin is went high and her head is c*mpletely immobilized. Her eyes make it clear she hates it.

Once she is fully secured, he slowly removes her shoes and massages her feet, carefully adjusting her socks so the shape of her feet is clearly visible. She continues moaning for the rest of the video.

The hogtie holds her so tightly that she cannot move at all except for her toes, and she is unable to roll onto her side no matter how hard she tries. Master Fiddler watches her struggle for several minutes, then rocks her onto her side. From there she tries repeatedly to roll onto her stomach, but the tight arch and ropes defeat every attempt. Her anger grows as she fails again and again. After a few minutes he rocks her back onto her stomach. She keeps pointing and flexing her toes, still drooling and moaning.

He then lifts her, still fully bound, and briefly sets her on her knees. The rope from the harness move her head far back; she arches helplessly and clearly hates the position. He lays her down again.

A few minutes later he attaches a long rope to the hogtie and pulls hard on the ring at the top, lifting her knees and chest even higher off the floor so she balances only on her stomach. She remains immobilized for several more minutes, still wiggling her toes, drooling, and moaning.

At the end of the video the cameraman conducts a brief interview with Bramble.

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