Charley comes home carrying a small box with tiny occupants inside. She comes from the lab, each day with a new ‘bad batch’ of shrunken people. They’re samples of cloned versions of themselves that somehow keep coming out of the experiments shrunken. Charley is the one in charge of finding volunteers and getting rid of their clones when trials don’t go as planned (which has always been so far).

She likes to keep a record of their disposal, which means building a set up and recording herself in video taking their short-lived lives. At first it was routine, but after months of dealing with hundreds of flawed versions of cloned people without having to face even the slightest consequences for her actions, she began to get imaginative and cruel.

Charley starts each video with a cold presentation, explaining her deception to the tiny clone: They’re not the original versions, they’re the procedural ones and, in this case, the disposable ones. The project didn’t go as planned and everyone believes they haven’t still found a way to clone human beings, meaning no one knows about their existence nor miss them in case anything happened to them, so even if they have the same memories, yearnings, concerns or feelings like their original, regular sized versions, it doesn’t make a difference because those lives already exist and thrive. Theirs don’t. They don’t matter.

Today Charley’s victims are a whole step-family, which is the least frequent group of people that participates in these kinds of programs, since they’re usually very protective of their ____. Today though, she’ll give the cloned parents a reason why they shouldn’t have brought them along with them to the experiment. She drops their ____ in a yoghurt and eats them without losing eye contact with the parents for a second.

She then follows by showing off her wide opened, empty mouth from different angles to them and the camera. Then it’s the parents turn. First she pins both of them under her breasts before picking the first one to play with. She holds him between her fingers, softly at first, just feeling the power of holding a tiny life between her thumb and forefinger while reminding of his desperate, hopeless yet real situation. Then she slowly applies pressure until hearing his bones cr*cking.

She presses him against her tongue and starts playing with him as she checks on her other victim below her breast.

Charley plays with the tiny woman as she tries to escape. Charley keeps pushing her back to the center whenever she apparently manages to crawl away from her giant captor. While playing with her victim like she was a pitty bug, Charley still sucks on the tiny, *njured man in her mouth and ponders what to do with them: chew/swallow alive.

She sends them one by one, alive, to their doom, while the originals live happily believing the test was unsuccessful yet they still got some _____ out of it.

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