I film a real prep moment I sometimes need on heavy fart days: clearing a tiny pellet-size blockage so the g*s can flow. I explain what I’m feeling and how I can tell when something is in the way, then when I’m confident I’ve evacuated it. That’s why I’m in the bathroom and why this capture exists.

I switch to a totally different setup from my usual camera work: phone capture in HD, hand-held or placed on the floor for angles I can’t get with my regular rig. I’m in a tight room with only two light sources available, the LED strip around my mirror and a bit of hallway spill. Those cast pink and bl*e across my skin, which I lean into while I talk through how I track g*s, where it sits, and what lets it move.

I go straight to my proven relief positions for tight spaces. First, butt-high with the phone low and angled up so you can see the body mechanics while I breathe and work pressure through. When I need a different echo or a safer release, I sit on the toilet briefly for those bowl acoustics. When I want to nudge things along faster, I alternate: pump my hips up into the air, drop into a squat to urge the path along, then lift back to butt-high. These two positions are tried and true for me.

There’s a section where you’ll hear my stomach growl long and real as everything lines up. I was so excited I spoke a quick note to future me to turn those parts up. Already done. I boosted the growls so you can hear them clearly over the room.

Midway through, I add face tracking for a tight, expressive look while I’m moving. The close angle catches my eyes reflecting the LEDs so they read doll-round, sometimes almost vampy. With my hair long and loose, the way it falls over one eye while I’m leaned forward gives the whole thing a Jessica Rabbit vibe that gradually becomes a mood.

What you get is a candid, step-by-step behind-the-scenes of how I prep when I need to clear a small blockage during a fart video day, filmed with a phone and new angles, in real time, then shaped into something worth your watch.

A Note from Alison Phone source in a tight room, wild auto shifts on exposure, color, and texture. I corrected sudden swings frame by frame and matched the overall look. Audio from the phone never lines up perfectly in my editor, so I synced it by hand to my lips and cleaned the room echo. Stomach growls are intentionally louder. Odd source frame rates (29.88, 29.86). I rendered at the highest frame rate the source allowed and pushed a higher-than-usual bitrate to preserve motion and reduce artifacts. Brightening and color correction can surface issues baked into phone footage. Lifting exposure makes existing compression, lip “smudges,” and soft patches more visible. A higher bitrate export cannot restore lost detail, so results will look similar between exports. If you spot a brief tone change, a tiny lip “smudge,” or a soft, blobby patch, that lives in the original capture. I could not remove those without destroying detail. This took 24+ hours of continuous editing, matching, and problem-solving so you get the strongest version possible under the capture conditions.

Verzweiflung Furzen Weibliche Verzweiflung A Phone Recorded G*s Blockage Evacuation By Alison mit C4s.com