Lidya Lael first movie on Captured Beauties.

Lydia. receives high level clients included politician and criminals. Powerful people who like to spend some hours being dominated.

She’s about to receive a new client who paid a lot in advance. But the guy is actually a hitman. His purpose is dispatching one of Lydia’s clients, a powerful politician involved with that is otherwise out of range.

So when the guy presents himself to Lydia’s location, she thinks that he’s just one of the guys pretend to act as her bottom. Being impressed by handsomeness she looks excited and chatty. She thinks that is going to be a funny session, but he soon stops to play the role, overpowers her and ties her up on screen. Lydia is indignant and astonished by this sudden turn. He’s strong, confident, definitely not the ordinary bottom man, but as much as she finds him handsome she doesn’t want to be tied and humiliated in this way. Her reputation could be ruined. He soon reveal his real “professional” intentions. He tells her that she wants to know the list of name of her appointment book. She doesn’t want to collaborate at first so he cleave gags her, he leaves her tied up and gagged and struggles, while he searches her book.

While he’s away Lydia tries to find something to cut the ropes and finally gets a pair of scissors. But there’s no time to cut ropes because he comes back. And grabs her. He has in meantime found her appointment book. His target should arrive in some hours so the hitman tells her to anticipate the appointment. He threatens her and Lydia is compelled to obey. Using her imposing mistress tone Lydia a calls the guy telling him to come in a hour. Then when she’s ended the conversation she begs him to release her but she’s gagged again (with vet wrap). As further humiliation before having her ankles retied she has boots and stockings removed and is left barefoot. A hogtie makes her escape impossible Then she’s carried over the shoulders in the bedroom. She’s hopeless and can’t stop the crime in her own house. When the guy returns after having perpetrated the crime, he places a phone near her. The guy tells Lydia that she has the option to alert the police but have her life exposed or to escape from her bonds (if she’s capable) before the boss minions find her. In that case she’ll have explain them what happened and should try to be convincing.... If she manages to free herself take her chance and disappear to avoid having her life exposed and in constant peril. Lydia tries to escape because she doesn’t really want to alert the police, but ropes hold. Is calling police the only feasible option?

Dialogue in English

All productions (video & images) & associated b*ndage scenarios depicted are strictly of a role play and story driven nature and feature fully consenting participants and established safe signals (clearly defined within each fantasy scene) between model(s) and crew are in continual use throughout the production

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