Trampling, severe c*ck crush, sarcastic rhetoric, subtle degradation and a candid yet intimate look at the lifestyle practice of Female Supremacy and m*le submission. Shoe, crush and foot fetish’s are merely just the B*SM medium by which all of the above is carried out as the carpet is often used as a working object and here is a fantastic example. Cecelia is sorting work related papers into categories on her dining room table and has been done countless times requests the carpet to present himself for her to stand on for a platform enabling her to extend her reach across the table before any real “clip” filming would be done. The result is nothing less than fantastic as Cecelia, who is home from her assignment for Christmas, is wearing her Christmas red flats which imprint her toes, show off her high arches and rather firm calves. The clip opens with Cecelia finishing a sarcastic comment about her “use” of the floor covering due to the fact that he has bruised ribs (and actually sports bl*e, yellow and brown hues across his sternum). “Does it matter?” answering her own question of what difference does the carpet’s state matter to Cecelia’s needs, as she steps up onto the c*ck box from the carpet’s thigh. His still swollen sternum and the multicolored bruises that randomly adorn it are also in frame centered by the c*ck box and the carpet’s c*ck Cecelia stands on she begins to sort paper. “Cuz then I’d have to be (nice)....and I don’t like to be” Cecelia adds rhetorically with a giggle and in a pre-occupied manner as he attention turns to her work. The carpet’s c*ck is absolutely destroyed for the next two minutes as Cecelia kind of fidgets and moves about- randomly and without any concern, stepping on the carpet’s pecker. The tip is pinch and stood on full weight beneath her pape- thin heel, the head and shaft are stepped on and stood on countlessly beneath ever inch of Cecelia’s shoe sole. One step causes the carpet to flinch and Cecelia responds, “oh, that doesn’t seem good” but continues t stand there while the carpet s*ffers. She then begins moving across to the carpet’s battered chest and the c*ck box as she reaches to various stacks of paper. The beauty is she steps and stands as if she were standing on a platform as opposed to a human in a true display of her firm belief of what the social, psychological and physical aspects of the scene are displaying. Routinely straddling the frame with on foot on his rib cage and the other on his p*nis, Cecelia shifts her weight, pivots and walks about with no regard for the carpet. “What?” asks Cecelia as the carpet gasps when she steps and stands on his c*ck strangely. “You want me to lift this foot?”, she rhetorically asks as she stands full weight across the carpet’s c*ck head and sets the heel of her other foot directly on the swollen bl*e bruise on his sternum. She rocks back and forth pushing her left heel in and out of that swollen lump while her right crushes the carpet’s c*ck flat. She then shifts weight and steps over to the carpet’s chest reversing her stance. Full weight on the carpet’s gasping and collapsed chest Cecelia pivos her right foot on and off his now slightly c*ck. After making him s*ffer for a bit, Cecelia says, “I’ll step on it” and strides both feet over to the carpet’s c*ck where she randomly and br*tally turns, twists and grinds as she walks in place. She then steps over to the carpet’s chest where with both feet she randomly repeats her walk. After stepping back over to his c*ck, Cecelia offers to step down and laughs and comments about where to step. After stepping onto and down from the carpet’s chest the lovely lesbian lawyer returns and spends the final two and a half minutes of the clip just randomly marching and walking in place on the carpet’s now battered c*ck for a bit before stepping onto his chest and marching before moving back to his c*ck. The carpet’s bruises worsen and actually shoe prints are visible in his skin while small red smears begin to dot the c*ck box below his flattened c*ck head when Cecelia lifts her foot after specific steps. More comments come, but we’ll spare the reading and hope as much as we trust you will enjoy the clip. Running time is 6 minutes and 19 seconds.

Balarina Schuhe Essens Und Object Verliebtheit Stampfen Step On It mit C4s.com